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LORENZO AGUIAR

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The artist

Lorenzo Aguiar.
La Habana 1964

 

 

 

Lorenzo Aguiar is a self taught  artist. Although he could never attend art school, drawing and painting have been the means to express himself and the perception he has of his world. In 1984 he entered, for the first time into El Taller de Manero, an artists den and a place to paint , in Playa, Ciudad Habana, where he got in contact with art students and painters ,to whom Aguiar says, he owes his first notions about painting techniques and academic rules. If it is a fact that an artist needs training, he soon realized that having a message or, conveying a feeling, was even more important. That is how his career as a painter began in a constant quest for intellectual improvement.

Study and knowledge had become the magic words. After graduating at Universidad de La Habana in 1987 with a B.A in English Language and Literature, he took courses in Philology and Classical Studies, keys that opened the doors to more knowledge and information.

He arrived in the United States in 1995 and after some time of adjusting and hard work in New Jersey, he was ready to retake his creative path. . All those projects, dreams and ideas which had been dormant or pending, began to appear either on paper or canvas. He entered City College of New York to obtain a M.A in English Literature in 2002. The impact of a whole new academic mileu away from his roots and traditions accelerated the urge to depict his inner world through images, speak his mind out about his aesthetic universe, and mix colors to flood the canvas with his visions.

Aguiar's palette is bright and colorful,  and his sources of inspiration go from  his days working at the Museo de Bellas Artes in La Habana to his frequent visits to The Metropolitan Museum of Art in New York City. Aguiar also feels inspired by his fascination with classical ballet and body language  while at  the same time  his controversial visions on religion, sexuality, and human nature are forever recurrent  in his work.  

 Aguiar is a  resident of Southwest Florida since July 2004, where he spends most of his time between a full time job and his art.

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Amantes. Ink on paper 1996

 

The images that inhabit Aguiar’s work, which do not totally belong to the realm of the abstract, carry the appeal of the universal.  In a bold rebellion against what might be considered immoral, biased, or prejudiced, Aguiar tells his tall tale about a more fulfilled individual who has decided to enjoy the gift of life without fears, sexual reprisal, or living in denial.  By depicting the human body and its potentialities to convey beauty, harmony, and pleasure or his allusions to the Ancient Greek world with its vases, myths, and men and women engaged either in sexual intercourse or in the act of melodic movement, the artist exposes male sexuality – the phallic and the homoerotic is almost a constant in many of his pieces- in a liberating attempt to demonstrate that our civilization has not overcome, to quote Aguiar, “the Reign of The Phallus” (*)

 

 

(*)Patriarchal Macho oriented subliminally controlled modern society with its fears and limitations to anything that endangers male supremacy, according to the artist.

Carlos J. Rodríguez

Journalist

Entertainment X-press News

Miami, FL (2001)

Shows and Exhibits
 
 *October 2000. Hispanic Heritage Celebration.
Springfield Municipal Library. Springfield , NJ
 *December 06/ February 07  Zahara Florist and Gallery
2520 Ponce de Leon. Coral Gables FL
 *January 2007. Best of Shows at the Edison Celebration of Arts 2007
 * October- December 2007. Collective exhibit Art From Latin America. Fort Myers Museum of Natural History, Fort Myers, Florida

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Sex, Fruits, Fish. color pencil on cardboard. 18x24. 1999